The characters are inspiring, the story elements are fascinating, and the visual effects are breathtaking, but Aeronauts it still falls flat. Writer-director Tom Harper reveals an actual record-setting balloon ride in real time, which creates a problem: It is a lot happy floating time before nature threatens the expedition. One result is a lot of wistful glances at the sky paired with “important” conversation that is an obvious addition. Another solution is to retell Wren and Glaisher’s backstory and motivations through flashbacks, a standard cinematic device that doesn’t work smoothly here. Sometimes it feels like they’ve jumped forward in time or you’re not sure whose story we’re watching. Chances are, some kids will be confused, and since the technique is used a lot, that’s a problem.

This is particularly disappointing given the film’s potential to positively influence young people. Throughout Glaisher and Wren’s adventure, scientific experimentation is exciting. Yes, there’s a lot of fiddling with gauges and talk of structural integrity, but the idea of ​​using scientific research to improve and save lives in the background of the storm Twister the proportions are stunning. Wren embodies what it means to be brave in terms of stepping outside of Victorian gender roles to pursue her passion, as well as being fearless. Playing her, Jones feels regret and caution as she rediscovers her will and courage. When she climbs to the top of the balloon to break the ice preventing descent, it’s an exciting moment for the women: With dramatic flair, Amelia uses her heel to break the symbolic glass ceiling. The beautiful footage of a balloon gliding through the sky and weathering a storm is the stuff artists dream of creating, and – given the death-defying action and stunts – the result is a cinematic marvel. However, just like some scientific investigations, Aeronauts it may have all the elements of success, but the outcome does not produce the desired results.