Acknowledging the contributions of black interior designers to design and interior design is critical to moving forward and giving space to all voices, regardless of their background, to be heard. We highlight the talented black interior designers who are thriving in the industry today.

Joy Navon’s journey into the world of interior design is deeply rooted in her colorful upbringing in Brooklyn, New York. Growing up in a city filled with different cultures, tastes and styles, Joy’s early exposure to art, fashion and music ignited her passion for creative expression. Influenced by her mother’s love of fashion magazines and her father’s musical background, Joy always had an artistic flair that eventually found its way into design.

After graduating from Virginia State University, she discovered a deep connection to her black culture, which plays a central role in its design aesthetic. Today, Joy’s modern-eclectic style and thoughtful approach to creating meaningful spaces driven by emotion reflect both her personal journey and her bold vision for the future of interior design.

Tell us about your upbringing: Where are you from and what was it like growing up there?

My name is Joy Navon and I was born and raised in Brooklyn, New York. Growing up in the city was such a unique experience – being exposed to so many different cultures, food, music and fashion. I didn’t realize how special that was until I got older. It really shaped my upbringing.

I love music – my father played a big part in that – but I get my style and influence from my mother. She always kept fashion, in-house magazines and black publications around the house. I was fascinated by them.

I graduated from an HBCU, Virginia State University. That’s when I really fell in love with black culture and discovered my own personal identity.

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Why did you decide that being a designer was your calling?

I feel that design has called me. I’ve always had what they call, “the eye.” Becoming an interior designer has been my dream since childhood. It started around age eight or nine when I saw the show “Trading Spaces: Boys vs Girls.” It was amazing to see the children using their creativity through the interiors.

It was the first time I saw that design was achievable for someone like me. From then on, I knew this was what I wanted to do. I’ve been through a lot of obstacles along the way, but I’m so grateful to be here now.

How would you describe your personal style and approach to designing a space?

My style is definitely modern-eclectic. I am extremely drawn to clean lines, heavy materials and bold colors. I like to mix styles and textures with culture and personal interests.

My first approach to designing any space is to think about how I or the client want people to feel in the space. Design, like any art form, has the power to evoke emotions. So that’s how I like to start. Functionality is also always in the foreground.

Do you have design inspiration, whether it’s from your culture, other cultures, or anything in between?

I find inspiration everywhere. As a black woman, my culture speaks through everything I do. I am naturally drawn to design elements that remind me of my environment and upbringing. Also, art – pictures, graphics and patterns are heavy inspiration for me. They sometimes guide my design plans or even lead to adjustments.

What design project have you done that stuck with you throughout your career?

I am a newcomer to the world of interior design, but I must say that I am renovating my family home. It was the first big project I worked on, and I’m still working on it. This project will take the next few years, but being able to contribute to my family’s legacy makes me so proud.

Juggling that renovation with content creation introduced me to so many clients. It all changed my career. That’s just one more reason why he’ll stay with me forever.

How do you incorporate design elements from the communities you grew up in into your work?

One of my favorite materials is rattan; it reminds me of my great grandmother’s peacock chair. I admired that chair and it always reminded me of her. Now that I have my own home, I have more pieces of rattan furniture. That’s the best way I know how to incorporate elements of community and culture into my designs: I use life experiences.

What does it mean to you to be a woman of color in your industry?

So everything, simply everything because I don’t see her often. There are so many talented designers who have something unique to offer if given the chance. I’ve always loved the saying “be the change you want to see”, and that’s what I strive for.

What is your favorite part of your own home?

This is extremely hard to choose because I love every part of my home. I tried to fill every inch of my space with personality, comfort and thoughtfulness. I think I achieved that because it became a haven for me and my family.

What thing do you try to incorporate into every space you design?

Color. I don’t see life in black and white, so I don’t design that way. Even in neutral designs, I try to find a way to show color through texture and finishes.

What do you like to buy when you want nice decor?

I would have to say CB2. I have always loved everything they offer. Their inventory is always infused with bold, one-of-a-kind items that you can’t find anywhere else.

Which design trend are you tired of?

If I had to choose I would say boucle. It’s a beautiful material, so I can see the appeal, but I don’t think it’s feasible in the long term. Like all trends, it will get old, but if it’s something you enjoy, it shouldn’t even matter.

Where is the best place you’ve ever been in terms of design?

I would have to say the Atelier Playa Mujeres resort in Mexico. It is very contemporary with a superb design. I was amazed and inspired throughout my stay.

Is there anything else you would like to add about who you are and your journey in the world of design?

What you can expect from me is evolution. I constantly strive to push the boundaries of “acceptable” and “trendy” in design. I will always focus on how I feel in the moment; my style is constantly changing.